This past weekend, I traveled to a small town outside of Dortmund, to a Kurdish festival. In its 12th year, the festival has taken place through the Turkish-Kurdish civil war in Anatolia, the capture of the PKK leader, Oecalan, the bitter and sometimes violent infighting among the PKK (Kurdish Workers' Party) leadership and between the many Kurdish parties, and the recent outbreak of war again. Here are some impressions:
A sea of v-shaped fingers. 100,000 people, maybe more, and absolute stillness. In memory of the "fallen ones". Yellow and red flags whipped in the wind – the military banner of the PKK guerilla army, the Kurdistan flag, the Yezidi flag with a tall brass lamp in its center, the green and white flag of Islam, scarlet flags with Che Guevara's face on them, flags of Abdullah Oecalan.
Everywhere, red yellow green. Braided into headbands, wristbands, keychains, scarves.
On the stage, music. Traditional and pop, dance upbeat, slow and full of longing. Speeches in Turkish, Kurmanci and Sorani, French, English, German. Solidarity with the Kurds, their right to speak their own language, to have their own land, against Turkey’s admittance into the EU.
Throngs of people reminiscent of refugee lines, Kurds fleeing wars in many countries across the years. Men in military tan and olive, kiffiyes wrapped around their waists or shoulders, women in traditional dress carrying plastic bags full of food.
A huge field, inside a horse racing complex. Kiosks and lines of stinking port-o-lets on the edges of the fields. Doener – and huge, messy buckets full of sliced red cabbage and iceberg lettuce. Stalls selling books and info on Islam, Alevitism, Yezidism, Kurds and Genocide and Human Rights, on Che Guevara. Stalls selling sequined and beaded Kurdish dresses, headscarves – both chiffon and white linen.
Add to this: the wedding market. Tricked-out fillies, done up in Turkish fashion, with obvious highlights and heavy makeup and high high heels, or with high-piled headscarves and sateen tunics. Hordes of young men with highlighted tips, gelled and moussed, wearing stone-washed jeans and Brasilia or Italia jackets or belts.
Banners in German, Dutch, French, Turkish, Kurmanci. Against genocide, against war, for war. A sudden hush: a propaganda film with cuts of "Apo" (Abdullah Oecalan) speaking in enlightened tones to circles of Kurds in the sun, sleeves rolled up, or sitting on couches with foreign politicians. Cut to Turkish tanks and soldiers. Between cuts, a computer animation globe with chains around it. Some gentle weeping, muffled sighs.
Many people here have lost family members, been imprisoned in Turkey. Many face imminent deportation from Europe, which has not acknowledged that war war has broken out in Anatolia, southeast Turkey, again. The leadership of the PKK has grown weak and splintered. Some say that this outbreak of fighting is a hastily scrabbled together grasp at legitimacy, an attempt to distract the Kurdish people from all the political infighting, internecine assassinations and lack of direction among the party leadership. Will this new war lead to the creation of a Kurdish state or, at least, to a degree of social and cultural self-determination for the Kurds in Turkey? Not likely. Rather, it could create an opportunity for more oppression, which will lead to greater suffering in the already impoverished Kurdish areas in Turkey. Europe has already deported hundreds of people back to this war zone. A one-day trip by an EU official to the Kurdish capital, Diyarbakir, and the EU is convinced that human rights reforms have progressed enough to where Turkey might be reasonably considered for eu membership. Many Kurds, frustrated and shocked, listen as EU ministers spend days debating Turkey's lack of divorce laws as grounds for refusing admission, all the while ignoring rumors of thousands of imprisoned Kurds, the rampant torture and abuse of Kurdish women and children, and the daily reports of civilian deaths.
Clusters of people sitting down to picnic fill the field halfway through the evening. At each cluster, a circle for men, a circle for women. Other clusters of mixed company scattered throughout. The men, in tan and black, smoking, discussing heatedly, telling stories, singing songs. The women, laying out a spread of food, minding the children. There is homemade flatbread, stuffed grape leaves and cabbage, roasted chicken, potato salads, stuffed and seasoned bread, sliced tomato and scallions, sprigs of parsley, thermoses full of hot tea, bottles of cola and spring water.
Also, several circles of dancers, many with drummers and horn players in the middle. At each end of the circle, a dancer twirls a scarf, sometimes just a simple scarf, sometimes a red-yellow-green one, and the women trill their tongues.
Desperation, hope. Feverish, almost compulsive enjoyment.
Despite the chilling cold (40 degrees, whipping wind, boiling gray skies, intermittent drizzles) they have come to celebrate their nameless homeland and their endless war.